Despicable

dont let it happen again...

I don't care that you dislike Akira. However, I care about a few things.

• Your review itself is not well written. There's very little actual criticism in it. A whole lot of saying x is bad and not why x is bad.

• You personally attacked the people who enjoy the film, which is a terrible thing to do. "Fuck the culture of this film."

Dude, I'm sorry. I was trying to show I had a sense of humour. I am a teenager, I guarantee you. I'm just having a bit of fun

@Watashi to be fair, it looks like he changed the description after this post was made

yeah i never saw that status so nevermind about that i suppose

Like @Watashi touched upon, I'd recommend for you to make a case for your gripes and or praises next time. Compare and contrast with other works of its time or ilk to further your points.

Why was the animation good or bad?

• Was it comprised of too much static cuts for the scope of its production?
• Did it have consitency problems?
• Were there any outstanding sakuga moments, or not?

What's with the directing? (oftentimes lumped into animation category)

• Did the work have any memorable shot composition?
• Did the director do a good job of utilizing proper blocking to guide the viewers focus?
• Was fight choreography decipherable and easy to follow; or rather a jumbled fast edited mess that favored flashy visuals and rule of cool, disorienting the viewer in the process?

Why is the writing good or bad?

• How does characterization happen? Organically through character interactions and the resolution of conflicts, exposition dumps or hardly any?
• Did the writer do a good job in clearly establishing goals and conflicts?
• Is the worldbuilding interesting and internally consistent?

Same goes for the score

• Do the various themes serve to further a characters personality?
• Is the score tonally consistent with the scenes it supports?
• Did the creators manage to establish leitmotifs that are memorable, reserved for fitting moments and thus impactful?

And lastly, thematic synergy

• Does the work intend to carry a lasting message?
• If so, how do all these elements and maybe external cultural references come together to craft that thematic synergy?
• Or conversely, did the creators fail in that endeavour and maybe even ruined its message by way of contradiction or lack of expanding on particular themes?

By answering these questions you will not only further actual discussion and quench low-effort criticisms of your review; but also potentially further your own understanding of the medium and appreciation for the art, producing better reviews with each go.